Domestication Syndrome: An Evolving Story | Arts + Literature Laboratory | Madison Contemporary Arts Center

Domestication Syndrome: An Evolving Story

UW Madison MFA candidate Hannah O'Hare Bennett presents Domestication Syndrome: An Evolving Story. In the intimacy of a small household object (a comb, for instance), the story of how it arrived in existence is not immediately evident. How is it that human beings came to live the way that we do—what made it so that we could weave complex cloth, or make intricate pottery, or invent a written language, never mind come up with factories and computers? She is always thinking of the origins of things.

Last year, she learned about the domestication syndrome, the suite of traits that plants and animals develop as they are domesticated. Seed coats become thinner and softer, fruits and grains bigger and easier to harvest, animal fur changes color or becomes softer. She began to relate these traits to the domestic arts, those activities dedicated to making a comfortable, beautiful home. In fact, our thoroughly domesticated lives would not be possible without the plants and animals we changed with our interactions with them—they gave us agriculture, and with agriculture, the possibility of time to dedicate to activities besides food gathering.

Now, in this work, she imagines a further evolution, a re-wilding of sewing tools, books, grids and opposable thumbs. Think of these objects as words, sentences and paragraphs adding up to a story about a small section of time held captive briefly before evolution takes effect again.

An opening reception will be held Saturday, March 11, 2017, 7-9pm. The exhibition is on view March 11 through April 1, 2017.

Hannah O'Hare Bennett

Hannah O’Hare Bennett is an artist, papermaker and educator based in Madison WI. She holds a BFA in Printmaking from the University of Kansas (1998) and an MFA in Design Studies from the University of Wisconsin Madison (2017).  Between those degrees, she worked as a farmer, Peace Corps Volunteer (Ecuador, 2004-2006), and produce manager, manual labor that informs her subject matter and manner of creating art.  She has done many residencies in the last three years, including at Women’s Studio Workshop (NY), StudioWorks at the Tides Institute (ME), and The Textile Arts Center in Manhattan, and has taught at the Morgan Conservatory and the Minnesota Center for Book Arts.  Her work has been shown across the country in group and solo shows, and has been featured in the Surface Design Association Journal. In 2019, her work was selected for inclusion in Handpapermaking Magazine’s Portfolio 13, In Between. She has served on the board of North American Hand Papermakers and... Read More

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