Darwin Grosse works at the intersection of Creativity and Code. By applying an engineer’s tools to live performance and audio recordings, he builds complex visual textures, sonic landscapes and multimedia tapestries out of whole cloth. He is active in live media performance work (solo, as part of the (no)poem duet with synthesist Mark Mosher, and as part of “the quartet” with Gregory Taylor, Mark Hendrickson and Tom Hamer, and as visual artist with 3rd Law Dance/Theater), and has recorded under his own name and as part many collaborations.
Tom Hamer's name will be familiar to those familiar with local percussionists (Tom's provided the pulse to a variety of local outfits, including Dangerous Odds, The Romulans, and Station Wagon). Since then, he has extended his touch into a very different set of percussion sources, using electronics to make the very quietest sounds audible, and constructing intricate and improvised audio environments... Read More