How to Live #26: Something-Fold Sonnet | Arts + Literature Laboratory | Madison Contemporary Arts Center

How to Live #26: Something-Fold Sonnet

An older woman with dyed hair casts aside newspaper

pages like pointless ballots while I post my status online.

The shimmering fake fire in the café reminds me that in a breath

we’ll swap spots, I’ll flip forgotten pages while a younger woman

 

with fresher hair will perch here, plunge forward, aim her life toward mine.

William James wrote that the self is a noun, like this or here.

My grandmother lasted nearly 95 years; now I hear her absence arrive

like waves against a blue bluff: I return your love something-fold.

 

James said the self is a bodily process that mostly takes place

in your head (I’m astonished at what persists—love,

when the thinking and knowing are gone,

 

still the loving self) and a moment may be suffused

by a uniform feeling of warmth (Your love, I return it

something-fold) and will only be knowable afterwards.


"Something-Fold Sonnet" originally appeared in Elevated Threat Level (Green Lantern Press, 2018) and is republished here with kind permission of the author.

The ALL Review is pleased to present our How to Live series, poems chosen to help readers navigate these difficult and rapidly changing times. 

 

About the Author

Rachel Galvin is a poet, translator, and scholar. Her books include Elevated Threat Level, a finalist for the National Poetry Series; Pulleys & Locomotion; Raymond Queneau’s Hitting the Streets, winner of the 2013 Scott Moncrieff Prize for translation; Decals: Complete Early Poetry of Oliverio Girondo (translated with Harris Feinsod), named finalist for the National Translation Award; and News of War: Civilian Poetry 1936-1945. Her translation of Alejandro Albarrán Polanco’s Cowboy & Other Poems will be published by Ugly Duckling Presse in December 2019. Galvin is a co-founder of Outranspo, an international creative translation collective. She is associate professor of English and Comparative Literature and associate director of Creative Writing at the University of Chicago.

Photo credit: Nicholas Barberio


April 2020

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