How to Live Poem #2: Tea | Arts + Literature Laboratory | Madison Contemporary Arts Center

How to Live Poem #2: Tea

by Leila Chatti

Five times a day, I make tea. I do this

because I like the warmth in my hands, like the feeling

of self-directed kindness. I’m not used to it—

warmth and kindness, both—so I create my own

when I can. It’s easy. You just pour

water into a kettle and turn the knob and listen

for the scream. I do this

five times a day. Sometimes, when I’m pleased,

I let out a little sound. A poet noticed this

and it made me feel I might one day 

properly be loved. Because no one is here

to love me, I make tea for myself

and leave the radio playing. I must

remind myself I am here, and do so

by noticing myself: my feet are cold

inside my socks, they touch the ground, my stomach

churns, my heart stutters, in my hands I hold

a warmth I make. I come from

a people who pray five times a day

and make tea. I admire the way they do

both. How they drop to the ground

wherever they are. Drop 

pine nuts and mint sprigs in a glass.

I think to care for the self

is a kind of prayer. It is a gesture

of devotion toward what is not always beloved 

or believed. I do not always believe 

in myself, or love myself, I am sure

there are times I am bad or gone

or lying. In another’s mouth, tea often means gossip,

but sometimes means truth. Despite 

the trope, in my experience my people do not lie 

for pleasure, or when they should, 

even when it might be a gesture 

of kindness. But they are kind. If you were

to visit, a woman would bring you

a tray of tea. At any time of day.

My people love tea so much

it was once considered a sickness. Their colonizers

tried, as with any joy, to snuff it out. They feared a love 

so strong one might sell or kill their other 

loves for leaves and sugar. Teaism 

sounds like a kind of faith

I’d buy into, a god I wouldn’t fear. I think now I truly believe 

I wouldn’t kill anyone for love, 

not even myself—most days

I can barely get out of bed. So I make tea.

I stand at the window while I wait. 

My feet are cold and the radio plays its little sounds. 

I do the small thing I know how to do

to care for myself. I am trying to notice joy, 

which means survive. I do this all day, and then the next.


The ALL Review is pleased to present our How to Live series, poems chosen to help readers navigate these difficult and rapidly changing times. 

"Tea" originally appeared in the Missouri Review and is reprinted here with permission from the author.

About the Author

Leila Chatti poet readings Madison Wisconsin Deluge

Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020) and the chapbooks Ebb (Akashic Books, 2018) and Tunsiya/Amrikiya, the 2017 Editors' Selection from Bull City Press. She is the recipient of scholarships from the Tin House Writers’ Workshop, The Frost Place, and the Key West Literary Seminar, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she is the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, Ploughshares, Tin House, American Poetry Review, and elsewhere.


April 2020

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