Triple Sonnet for Chinese Girls with No Humility | Arts + Literature Laboratory | Madison Contemporary Arts Center

Triple Sonnet for Chinese Girls with No Humility

My brother tells me to have some humility,

        and I know this is an old Chinese standard

talking, or like my father says, women were

        once judged for marriage based on their manners

at the dinner table, meaning a silent bride

        is best: Be quiet. Compliment his mother’s

cooking. Eat your whole bowl of rice

        And my brother gets away with playing

“nice guy,” as in “Look at that nice guy

        teaching his rude sister proper manners,”

because Chinese boys and Chinese girls

        are never treated the same way—think of

those girls born in the Year of the Tiger

        deemed too aggressive, or how my family

 

        fortune teller screwed me over at birth

by giving my parents the wrong fortune.

        Of course, there’s a beauty to not knowing

and letting life play out. Of course, my brother’s

        was right down to a T: the failed first marriage,

the second marriage to a medical researcher

        posing as the perfect Chinese wife, a little

too eager to cook meals, a little too eager

        to don a wedding gown, a little too eager

to call him “honey.” A little too eager

        to put me down at the dinner table in Vegas

when I order the salmon and she orders 

        the lobster, and she turns to my brother,

saying, “Your sister is too big of a spender.” 

 

But forget manners. I’ll order the lobster

        next time. Throw in French fries and a strawberry

mousse—take it to go, pay for my own 

        goddamn meal, because I don’t need 

anything from anyone. No, I don’t 

        have a fortune, and it’s because no one 

controls me. I think about the way a lover

        tells me I look good in red, and I remember

the red slips and fishnets underneath peacoats

        in college in those Ithaca winters, feeling like

the most powerful woman alive, and forget

        humility. My brother fears me. His wife fears me. 

I’ve got the goods to show off. In what universe

        does a woman like me eat her rice in silence.


You can read more of Dorothy Chan's triple sonnets in Revenge of the Asian Woman.

 

About the Author

Dorothy Chan poet Watershed Reading Series

Dorothy Chan is the author of Revenge of the Asian Woman (Diode Editions, 2019), Attack of the Fifty-Foot Centerfold (Spork Press, 2018), and the chapbook Chinatown Sonnets (New Delta Review, 2017). She was a 2020 and 2014 finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship, a 2020 finalist for the Lambda Literary Award in Bisexual Poetry for Revenge of the Asian Woman, and a 2019 recipient of the Philip Freund Prize in Creative Writing from Cornell University. Her work has appeared in POETRY, The American Poetry Review, Academy of American Poets, and elsewhere. She is an Assistant Professor of English at the University of Wisconsin-Eau Claire, Poetry Editor of Hobart, Book Reviews Co-Editor of Pleiades, and Founding Editor and Editor in Chief of Honey Literary. 


April 2021

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