Anne E. Stoner is a sound artist and collaborative ethnographer whose work, informed by disability studies and queer archival practices, focuses on the intersections of identity and geography in both sonic and physical space. Her work brings about and coalesces studies in bodily complexities, human geography, psychogeographies, and contemporary methodologies in ethnographic archiving and queer anthropology, to create a practice with an empathetic methodology that challenges visual standards within 21st century artmaking and scholarship. Her work has been shown nationally and internationally, including venues such as the Francis Young Tang Teaching Museum and Art Gallery, New York State, and the Morley Gallery, London. Anne’s sound and writing can be read and listened to in Resonance: The Journal of Sound and Culture, Global Performance Studies Journal, and the Struer Tracks Sound Biennial Almanac.
Anne holds an undergraduate MA(h) in Music from the University of Edinburgh, Edinburgh College of Art and an MA in Sound from Northwestern University. In 2023 she began working toward an MFA in 4D Studio Art, focusing in sound and time-based media, from the University of Wisconsin, Madison.