Contemporary Indigenous printmaking by Marwin Begaye, Alexis Neal & Vanessa Edwards
Nāu te rourou, nāku te rourou - With your basket and my basket, an exhibition of contemporary Indigenous printmaking by Marwin Begaye, Alexis Neal, and Vanessa Edwards is on display at ALL from February 17 to April 2, 2022. This exhibition is part of SGCI Madison: Our Shared Future, an international printmaking conference hosted by the UW-Madison Printmaking Department March 16-19, 2022. An artist reception and performance will be held Friday, March 18, 2022 from 6-9pm.
Gallery hours are Tuesday-Friday 10am-5pm and Saturday 12-5pm (free). The galleries will be closed on Tuesday, March 28 and Friday, April 1. Please check our current COVID-19 safety guidelines before your visit.
Artist Statement
Nāu te rourou, nāku te rourou ka ora ai te iwi - with your basket and my basket the people will thrive.
Shi Ts’aa doo ni Ts’aa, nahii Ts’aa baa nantsiikiis kinaa he T’ii doo
The title comes from a Maori whakatauki (proverb) that speaks to sharing of resources and knowledge to ensure the wellbeing of all people involved.
This is what we do culturally, iwi to iwi and clan to clan.
As Indigenous printmakers who have developed our practices over 20 years we approach the making process with our cultural lense intact, developing our narrative through our art.
We share our knowledge and energy, we host and take care of each other. We support one another so that the practice of print will not only be sustained, but prosper wherever we are in the world. This is a collective approach, highlighting the idea that we are a part of something greater than ourselves. Nāu te rourou, nāku te rourou collectively showcases three Indigenous voices in one space and speaks to relationships between peoples, our environment and our culture over time.
The fourth voice featured is a representation from Toi Whakaata - a Maori print collective from Aotearoa (NZ), established in 2006. This collective was the indirect result of John Hitchcock and Melanie Yazzie’s influence and encouragement at the time and epitomizes the cyclic connection between us, and our art practices.