On Saturday, November 13, 2021 at 3:00pm, the Arts Quartet will perform during Arts + Literature Laboratory's Open House Weekend. This ensemble features Mary Perkinson (baroque violin), Max Yount (harpsichord), Eric Miller (bass viola da gamba), and Monica Steger (traverso - baroque flute). The music on the program is by two of the great composers of the so-called Late Baroque period, that is, the first half of the eighteenth century--Jean-Philippe Rameau (1683-1764) and Georg Philipp Telemann (1681-1767). In the popular imagination this period has been dominated by awareness of Johann Sebastian Bach and George Frideric Handel, both born in 1685; but the widely flourishing study of early music and its performance on period instruments has elevated other composers to comparable stature. One popular textbook for music history study sums up this period by offering biographies of Vivaldi, Rameau, Telemann, Bach and Handel.
Rameau, having produced significant keyboard music, and contributing brilliantly to music theory, became famous as an opera composer later in his career. In 1741 he published a fairly unique and path-breaking set of five trios titled "Pièces de clavecin en concerts" (pieces for harpsichord in ensemble), in which the elaborate harpsichord part is combined with violin and bass viola da gamba.
Telemann, music director in Hamburg, Germany, famous and celebrated, went to Paris in 1737, where he stayed for eight months. He took a set of six quartets with him and collaborated with the best musicians of the city in performing them, and, while there, composed six "nouveau" quartets. Altogether, these are known as his "Paris Quartets", scored for traverso (baroque flute), violin, viola da gamba, and accompanying continuo (by harpsichord, usually). All tempo instructions in the "Nouveau" set are in French. Using terminology of a later period, these pieces are often referred to as flute quartets, which means music in which flute is combined with three string instruments.
It is interesting to see the differences in personality of these two composers. Rameau was a rather sharp wit, somewhat like Voltaire in music, and a searching, argumentative theorist. Telemann was more ubane and business-like, equally devoted to education and betterment of the young and amateurs, as to the sophisticated.
THE PROGRAM
Quatriéme Concert (fourth trio) / Rameau
Loure, vive "La Pantomime"
Vivement "L'indiscrette"
"La Rameau"
2e Quatuor (or Paris Quartet no. 8) / Telemann
Prélude, Allegrement
Flateusement
Legerement
Un peu Vivement
Coulant
INTERMISSION
Deuxiéme Concert (second trio) / Rameau
Rondement, La Laborde
Air, gracieux, La Boucon
Rondement, LAgaçante
Premier Menuet, 2e Menuet
6e Quatuor (or Paris Quartet no. 12) / Telemann
Prélude, A discretion, tres vite, A discretion
Gay
Vite
Gracieusement
Distrait
Modéré